First Light: An Introduction to Meru Foundation Research by Stan Tenen

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First Light: An Introduction to Meru Foundation Research by Stan Tenen  

30:36 - 4 years ago

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The Hebrew Alphabet, Genesis, and Kabbalah: What is The Meru Project? Using the objective tools of science, Stan Tenen has studied the mathematical structure underlying the sequence of letters in the Hebrew text of Genesis. His research has shown that the geometric patterns fundamental to modern physics were available to us long before physics per se was considered an independent science. These patterns are intrinsic to the Hebrew letter-text of Genesis, and were known to traditional Kabbalists and sages. Studying these patterns leads to a deep understanding of the framework of our own existence, and ways to access our potential to improve ourselves and the world around us. The Meru Project has discovered that the sequence of letters in the Hebrew text of Genesis reveals a simple yet extraordinary and unexpected series of geometric models whose intrinsic meaning describes processes inherent in fields as diverse as embryology, modern physics, and consciousness studies. Meru research demonstrates that the Hebrew alphabet, in its early rabbinic form, is at its core a universal language of gestures. People from all cultures, even those who are blind from birth, and children before they speak, make spontaneous use of this natural language. The gestures of the Hebrew alphabet express universal needs and choices. The benefits of using this extraordinary and uniquely elegant model range from personal and spiritual growth to the expansion of scientific knowledge. Meru Foundation is a non-profit organization formed to support this research. For more information, go to http://www.meru.org. To order Meru lectures by Stan Tenen on DVD, go to http://www.meetingtent.com .«

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The Metaphysics of Sound



The mystical traditions of East and West tell us that the key to unlocking the mysteries of the universe is sound. In fact, they say that sound is the very fount from which our universe arises. It is the primordial First Cause. It is responsible for creating, sustaining and transforming all life and all matter. Sound, simply put, is the organizing and integrating impulse behind everything.

Sound Formulas

The ancient mystics of the East taught that different sounds form different patterns, creating the endless variety of shapes, sizes and densities that are manifest all around us. They also saw sound as a power that could be harnessed to create positive change. The Hindu and Buddhist sages, for example, repeated specific sound formulas, or mantras, to bring about a host of powerful effects, both external and internal. They taught that by reciting mantras to a specific deity, we can create within our consciousness the same vibration as that deity. In essence, they saw the sacred words of the mantra as conduits that would bring spiritual energies into the world.

Likewise, the Jewish mystics known as Kabbalists taught that the Divine Word, the speech of God, creates and sustains both the heavens and the earth. Again, they believed that the various objects in our universe are different because a specific and unique combination of letters of sacred speech sustains each one. And, like their Eastern counterparts, some Kabbalists taught that when a devotee calls upon one of the names of God, the specific influence associated with that name is released.

The Power of the Divine Voice

The power of the divine sound is also a theme in other Jewish as well as Christian traditions. Genesis tells us that creation began when God spoke the words, "Let there be light." Echoing the immortal words of the Hindu Vedas "In the beginning was Brahman with whom was Vak, or the Word, and the Word is Brahman," the Gospel of John also says that sound is the author of all things: "In the beginning was the Word, and the Word was with God, and the Word was God....All things were made by him."

Another Christian text, the Gnostic manuscript called Trimorphic Protennoia (the "Triple-formed Primal Thought"), describes the awesome powers of speech, pervading all things and latent within each of us. In this text, a divine figure "in the likeness of a female" says, "I am the Invisible One within the All.... am the real Voice. I cry out in everyone, and they know that a seed dwells within."

The Next Frontier in Sound

The ancient masters saw sound as the integrating factor of all life. They also knew what today's science is just beginning to prove—that when we apply certain sounds to an object or an organism, we can change its condition. Here, at the convergence of ancient spirituality and modern science, is the next frontier in the evolution of sound.

Written by Patricia R. Spadaro
Copyright © 2002 Patricia R. Spadaro

http://www.cymatechnologies.com/index.html




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The Creative Vibration

 What did Hans Jenny find in his investigations?

In the first place, Jenny produced both the Chladni figures and Lissajous figures in his experiments. He discovered also that if he vibrated a plate at a specific frequency and amplitude - vibration - the shapes and motion patterns characteristic of that vibration appeared in the material on the plate. If he changed the frequency  or amplitude, the development and pattern were changed as well. He found that if he increased the frequency, the complexity of the patterns increased,  the number of elements became greater. If on the other hand he increased the amplitude, the motions became all the more rapid and turbulent and could even create small eruptions, where the actual material was thrown up in the air. The shapes, figures and patterns of motion that appeared proved  to be primarily a function of frequency, amplitude, and the inherent characteristics of the various materials. He also discovered that under certain conditions he could make the shapes change continuously, despite his having altered neither frequency nor amplitude!

When Jenny experimented with fluids of various kinds he produced internal linkwave motions, spirals, and wave-like patterns in continuous circulation. In his research with plant spores, he found an enormous variety and complexity, but even so, there was a unity in the shapes and dynamic developments that arose. With the help of iron filings, internal linkmercury, viscous  liquids, plastic-like substances and gases, he investigated the three-dimensional aspects of the effect of vibration.

In his research with the tonoscope, Jenny noticed that when the vowels of the ancient internal linklanguages of Hebrew and internal linkSanskrit were pronounced, the sand took the shape of the written symbols for these vowels, while our modern languages, on the other hand, did not generate the same result. How is this possible? Did the ancient Hebrews and Indians know this? Is there something to the concept of "sacred language," which both of these are sometimes called? What qualities do these "sacred languages," among which internal linkTibetan, internal linkEgyptian and Chinese are often numbered, possess? Do they  have the power to influence and transform physical internal linkreality, to create things through their inherent power, or, to take a concrete example, through the recitation or singing of sacred texts, to heal a person who has gone "out of tune"?

An interesting phenomenon appeared when he took a vibrating plate covered with liquid and tilted it.The liquid did not yield to internal linkgravitational influence and run off the vibrating plate but stayed on and went on constructing new shapes as though nothing had happened. If, however, the oscillation was then turned off, the liquid began to run, but if he was really fast and got the vibrations going again, he could get the liquid back in  place on the plate. According to Jenny, this was an example of an antigravitational effect created by vibrations.

Universality?

In the beginning of Cymatics, Hans Jenny says the following: "In the living as well as non-living parts of  nature, the trained eye encounters wide-spread evidence of periodic systems. These systems points to a  continuous transformation from the one set condition to the opposite set." Jenny is saying that we see everywhere examples of vibrations, oscillations, internal linkpulses, wave motions, pendulum motions, rhythmic courses of events, serial sequences, and their effects and actions. Throughout the book Jenny emphasises his conception that these phenomena and processes not be taken merely as subjects for mental analysis and theorizing. Only by trying to "enter into" phenomena through empirical and systematic investigation can we create mental structures capably of casting internal linklight on ultimate reality. He asks that we not "mix ourselves in with the phenomenon"but rather pay internal linkattention to it and allow it to lead us to the inherent and essential. He means that even the purest philosophical theory is nevertheless incapable of grasping the true existence and reality of it in full measure.  What Hans Jenny pointed out is the resemblance between the shapes and patterns we see around us in physical reality and the shapes and patterns he generated in his investgations.

Jenny was convinced that biological internal linkevolution was a result of vibrations, and that their nature determined the ultimate outcome. He speculated that every cell had its own internal linkfrequency and that a number of cells with the same frequency created a new frequency which was in harmony with the original,  which in its turn possibly formed an organ that also created a new frequency in harmony with the two preceding ones. Jenny was saying that the key to understanding how we can heal the body with the help of tones lies in our  understanding of how different frequencies influence genes, cells and various structures in the body. He also suggested that through the study of the human ear and larynx we would be able to come to a deeper understanding of the ultimate cause of vibrations.

http://fusionanomaly.net/cymatics.html


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