Jack Shaheen of "Guilty: Hollywood's Verdict on Arabs After 9/11 "

Started by CrackSmokeRepublican, April 01, 2010, 08:19:58 PM

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CrackSmokeRepublican

Might be interesting...
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SHAHEEN JR,JACK G
http://www.amazon.com/Guilty-Hollywoods ... t_ep_dpt_2


QuoteEditorial Reviews
From Publishers Weekly

In this meticulously researched book, Shaheen (Reel Bad Arabs) spotlights anti–Muslim and Arab stereotypes and probes the intersections of popular culture and foreign policy. The author investigates the close ties between Hollywood studios and Washington and recounts how, historically, the strategic stereotyping of populations has been used to garner popular support for governmental policies, citing the career of Leni Riefenstahl and speeches by Lenin and Goebbels to illustrate film's long history as a propaganda vehicle. In an index of more than 100 post-9/11 films, the book depicts and debunks the most prevalent stereotypes of reel Arabs—exotic camel-riding nomad, oppressed maiden, corrupt sheikh, terrorist. Dehumanizing portrayals of Arabs have real consequences, according to Shaheen; he draws correlations between the media's depiction of Arabs and the massive support for the invasion of Iraq, the wanton killing of Iraqi civilians and the escalating number of hate crimes against Arabs (or people who look like Arabs) in the United States. Unfortunately, after his superbly readable historical survey, Shaheen's list of solutions—entertainment summits and sample pro-Arab film treatments—seem disappointingly prosaic. Still this book's scope and its impassioned delivery make for an insightful and rewarding read.
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Review
"Brimming with insight, erudition, and personal wisdom, Jack Shaheen's Guilty is a crucial, timely work. This analysis of Hollywood's portrayal of Arabs not only describes a dire situation-- placing it in global and historic context-- but offers readers important solutions with wide-ranging artistic, social, and political implications. Hard hitting and true." -- Diana Abu Jaber, author of Crescent

"...superbly readable...this book's scope and its impassioned delivery make for an insightful and rewarding read...In this meticulously researched book, Shaheen (Reel Bad Arabs) spotlights anti-Muslim and Arab stereotypes and probes the intersections of popular culture and foreign policy. The author investigates the close ties between Hollywood studios and Washington and recounts how, historically, the strategic stereotyping of populations has been used to garner popular support for governmental policies, citing the career of Leni Riefenstahl and speeches by Lenin and Goebbels to illustrate film's long history as a propaganda vehicle. In an index of more than 100 post-9/11 films, the book depicts and debunks the most prevalent stereotypes of 'reel Arabs'-'exotic camel-riding nomad,' oppressed maiden, corrupt sheikh, terrorist. Dehumanizing portrayals of Arabs have real consequences, according to Shaheen; he draws correlations between the media's depiction of Arabs and the massive support for the invasion of Iraq, the 'wanton' killing of Iraqi civilians and the escalating number of hate crimes against Arabs (or people who look like Arabs) in the United States." -- Publishers Weekly

"Dr. Jack Shaheen does it again. The accomplished author, professor and media veteran sifts through hundreds of hours of film to give us clear cut examples, as well as keen insight, into Hollywood's obsession with bad Arabs and murderous Muslims post 9/11. Guilty: Hollywood's Verdict on Arabs After 9/11 is a fascinating social study on the relationship between racism and cinema, and ultimately, how popular entertainment has the power to propagate damaging images of misunderstood cultures or destroy them. Shaheen deftly demonstrates that Hollywood's greatest enemy is not the Muslim or Arab, but the ignorant stereotype." -- Lorraine Ali, Newsweek

"My first step in researching what would become the film, `Syriana,' was the confrontation of an inherent bias against the Arab world. So many of my received (often received from films and television) notions were simply wrong. This was a starting point for our script and Jack Shaheen's mission over the last many years. He provides an incredibly valuable book in the breaking down of the stereotyping and racism that fires miscommunication from both sides of the ideological gulf." -- Stephen Gaghan, director, writer
After the Revolution of 1905, the Czar had prudently prepared for further outbreaks by transferring some $400 million in cash to the New York banks, Chase, National City, Guaranty Trust, J.P.Morgan Co., and Hanover Trust. In 1914, these same banks bought the controlling number of shares in the newly organized Federal Reserve Bank of New York, paying for the stock with the Czar\'s sequestered funds. In November 1917,  Red Guards drove a truck to the Imperial Bank and removed the Romanoff gold and jewels. The gold was later shipped directly to Kuhn, Loeb Co. in New York.-- Curse of Canaan

CrackSmokeRepublican

After the Revolution of 1905, the Czar had prudently prepared for further outbreaks by transferring some $400 million in cash to the New York banks, Chase, National City, Guaranty Trust, J.P.Morgan Co., and Hanover Trust. In 1914, these same banks bought the controlling number of shares in the newly organized Federal Reserve Bank of New York, paying for the stock with the Czar\'s sequestered funds. In November 1917,  Red Guards drove a truck to the Imperial Bank and removed the Romanoff gold and jewels. The gold was later shipped directly to Kuhn, Loeb Co. in New York.-- Curse of Canaan