Re: Khazars, the Kabbalah and Jew Death Cults

[iC1]

These are amazing posts mgt23. I hope to read more on this from yourself. Thanks for providing the info.

[mgt23]

3qw1rcoc]

[mgt23]

3gyq4yrc]

3gyq4yrc]

3gyq4yrc]

3gyq4yrc]

[CrackSmokeRepublican]

The Jews and Saturn (Whaler)
viewtopic.php?f=23&t=14002&p=54901

Marduk and Citigroup
viewtopic.php?f=41&t=13834&p=53870


The "Star of David" – Is It Pagan?
viewtopic.php?f=41&t=12817

The Foundation Stone - Cornerstone to Temple and Dome of the Rock
viewtopic.php?f=41&t=12817

[mgt23]

1pdz324h]

1pdz324h]

1pdz324h]

[CrackSmokeRepublican]

Saturn and Jupiter:
viewtopic.php?f=40&t=14890#p61800

[CrackSmokeRepublican]

Saturn System Breakup 5,000 Years Ago
http://www.thunderbolts.info/forum/phpB ... f=4&t=6629

Saturn, the Black Sun
* Earth was part of the Saturn System until 5,000 years ago and Saturn did not start orbiting the Sun until 10,000 years ago, when the ancients first saw the Sun as a distant bright star. Before that was the Age of Darkness, when there was no Sun, except for the Black Sun, which was Saturn. In the Age of Darkness there was no plasma column visible. All that was visible in the sky was Saturn, which had a faint glow.

[mgt23]

17dzx9qn]

17dzx9qn]

17dzx9qn]

.......whilst i nod to the chnage in thread title Yiddish is german jew slang language

http://en.wikipedia.org/wiki/Yiddish_language

Yiddish (ייִדיש yidish or אידיש idish, literally "Jewish") is a High German language of Ashkenazi Jewish origin, spoken in many parts of the world. It developed as a fusion of Hebrew and Aramaic into German dialects with the infusion of Slavic and traces of Romance languages.[2][3] It is written in the Hebrew alphabet.

The language originated in the Ashkenazi culture that developed from about the 10th century in the Rhineland and then spread to Central and Eastern Europe and eventually to other continents. In the earliest surviving references to it, the language is called לשון־אַשכּנז (loshn-ashknez = "language of Ashkenaz") and טײַטש (taytsh, a variant of tiutsch, the contemporary name for the language otherwise spoken in the region of origin, now called Middle High German). In common usage, the language is called מאַמע־לשון (mame-loshn, literally "mother tongue"), distinguishing it from Biblical Hebrew and Aramaic, which are collectively termed לשון־קודש (loshn-koydesh, "holy tongue"). The term "Yiddish" did not become the most frequently used designation in the literature of the language until the 18th century.

For a significant portion of its history, Yiddish was the primary spoken language of the Ashkenazi Jews and once spanned a broad dialect continuum from Western Yiddish to three major groups within Eastern Yiddish, namely Litvish, Poylish and Ukrainish. Eastern and Western Yiddish are most markedly distinguished by the extensive inclusion of words of Slavic origin in the Eastern dialects. While Western Yiddish has few remaining speakers, Eastern dialects remain in wide use.

Yiddish is written and spoken in many Orthodox Jewish communities around the world, although there are also a number of Orthodox Jews who do not know Yiddish. It is a home language in most Hasidic communities, where it is the first language learned in childhood, used in schools and in many social settings. Yiddish is also the academic language of the study of the Talmud according to the tradition of the Lithuanian yeshivas.

[mgt23]

[youtube:t8am1c2k]http://www.youtube.com/watch?v=kR1Iao83sfo[/youtube]t8am1c2k]

The EVIL Shaman covered up the teens death by burying him in the grounds of his Amazon retreat. The shaman , Jose Manuel Pineda, has been arrested along with two other men after confessing to have buried Nolan. Nolan's body was reportedly found the morning after a ceremony at the Shimbre Shamanic Centre, which has its own website advertising the trance-like effects of ayahuasca. His family raised the alarm and launched a media appeal after he failed to return home on August 27, 2012.
Ayahuasca literally translates from the Quechua language, spoken in Peru and other Andean countries, to 'vine of the dead', or 'vine of the soul.

[youtube:t8am1c2k]http://www.youtube.com/watch?v=yS8kmAQQvtc[/youtube]t8am1c2k]

......Icke likes his ayahuasca retreats as well.

[CrackSmokeRepublican]

Not the best source but likely accurate:

--------

Talismans of the Magi

   Theophrastus Paracelsus revived, in the XVIth century, the ancient doctrine of Talismans, which he claimed to be able to use successfully in the treatment of illnesses and accidents. This medical doctrine, derived from the Cabala, or secret tradition of the Jewish rabbis, was said to be borrowed from the ancient occult sciences of Chaldea and Egypt. The talisman (tsilmenaia) signifies an image, a figure, and was engraved in the form of an emblem or symbol on metals consecrated to the genii of the seven planets. This magical task had to be carried out at a fixed time of a certain day, with the firm intention of attracting to the talisman the beneficent influence of the genius which was invoked, whether for health or any other protective measures. We owe to the celebrated Paracelsus the explanation of these secrets whose efficiency is recognized by many serious thinkers, in the same way as that of the Agnus Dei, so-called miraculous medals, and objects which have touched saintly relics. Now the genii of the Orient being the original types of the Christian angels, that is to say, representing the intermediary powers acting between God and man, it is possible that the invocation of one or the other may not be entirely pointless. Dogmas vary from one century to another and rites are modified; but belief in God, in the soul of the world and in the sovereign power of nature is always the same: it is to God, invisible to our eyes but visible to our consciousness, that we address our prayers, whatever the form they take.

The Talisman of Saturn

   I. The Talisman of Saturn is a preservative against danger of death through apoplexy, cancer, decaying of the bones, consumption, dropsy, paralysis, phthisis; against the danger of being buried alive while in a state of coma; against the danger of violent death through secret plotting, poison or ambush.
   This talisman preserves women from the mortal perils which accompany or sometimes follow childbirth.
   If in time of war the leader of an army hides the talisman of Saturn in a place which is in danger of falling into the enemy's hands, that enemy will be unable to cross the limits set up by the presence of the talisman and will then retreat, either discouraged or overcome by a resolute counter-attack.

http://wolf.mind.net/library/magic/tali ... lisman.htm


----------

This always has something:

http://littleguyintheeye.wordpress.com/ ... -7-saturn/

Brown Driver's Briggs Hebrew lexicon
H3594

ki^yu^n
BDB Definition:
Chiun = "an image" or "pillar"

1) probably a statue of the Assyrian-Babylonian god of the planet Saturn and used to symbolise Israelite apostasy
Part of Speech: noun proper deity

A Related Word by BDB/Strong's Number: from H3559 כּיּוּן

Footnote in the JPS pocket edition of the Tanakh on Amos 5:26
"astral deity Saturn-R. Isaac Caro says all the astrologers represented Saturn as the star of Israel."

Gnostics and Their Remains Ancient and Mediaeval pg 241

"Inasmuch as the genius of the planet Saturn, or Kronos, was held by the Talmudists to be good and pure, contrary to those of the other planets, the Four-winged image, so common upon Gnostic gems, may reasonably be considered as a copy from the ancient original, devised by Taut. Saturn, the sole inspirer of the Law and the Prophets, had special claims to the veneration of the Alexandrine Kabbalists. And this belief explains wherefore Valentinus fixed upon this planet for the abode of Ildabaoth, the Giver of the Law to the Children of Israel in the Wilderness."

International Standard Bible Encyclopedia

1. Chiun, Certainly the Planet Saturn

One planet is certainly mentioned in Old Testament, and we may safely infer that the other four were known, since this particular planet is the least conspicuous both in brightness and in motion, and was therefore probably the last to be discovered. The reference to Saturn occurs in Amo_5:25, Amo_5:26 : "Did ye bring unto me sacrifices and offerings in the wilderness forty years, O house of Israel? Yea, ye have borne the tabernacle of your king (the King James Version Moloch) and the shrine of (the King James Version Chiun) your images, the star of your god, which ye made to yourselves." This passage was quited from Septuagint by Stephen in his defense,

 "And they made a calf in those days, and brought a sacrifice unto the idol, and rejoiced in the works of their hands. But God turned, and gave them up to serve the host of heaven; as it is written in the book of the prophets,
"Did ye offer unto me slain beasts and sacrifices
Forty years in the wilderness, O house of Israel?
And ye took up the tabernacle of Moloch,
And the star of the god Rephan,
The figures which ye made to worship them" (Act_7:41-43).

The difference between the names Chiun and Rephan, is due either to Rephan being local Egyptian name for the planet Saturn, and therefore used by the Septuagint as its equivalent, or to an actual error of transcription in the text from which they were translating: the initial of the word being taken as rēsh (ר) when it should have been kāph (כ), r instead of k. The word should therefore be transliterated Kaivan, which was the name of the planet Saturn amongst the ancient Arabs and Syrians, while kaimanu, "constant" or "regular," was its name with the Assyrians. The English Revised Version in Amo_5:26 adopts the reading of the King James Version margin, "Siccuth your king," Moloch meaning king; but the authority of the Septuagint and the parallelism of the text and its general line of thought support the reading given by some of the ancient versions and followed by the King James Version.

2. Saturn or Moloch Worship

The difficulty of the passage is that both Amos and Stephen appear to represent the worship of the golden calf as identical with the worship of Moloch and of the planet Saturn; yet though Kaivan is only mentioned here, the nature of the reference would imply that this deity was one familiar both to speaker and hearers. The difficulty vanishes at once, if the plain statement of Stephen be accepted, that when God permitted Israel to "go after the stubbornness of their heart, that they might walk in their own counsels" (Psa_81:12) He "gave them up to serve the host of heaven." The worship of the golden calf was star worship; it was the solar bull, the constellation Taurus, in which the sun was at the time of the spring equinox, that was thus represented. The golden calf was therefore analogous to the familiar symbol of the Mithraic cult, the bull slain by Mithra, Sol Invictus, if indeed the latter did not take its origin from this apostasy of Israel. See CALF, GOLDEN.
And Moloch the king, the idol of the Ammonites and Phoenicians, was intimately connected both with the solar bull and the planet Saturn. According to the rabbins, his statue was of brass, with a human body but the head of an oxclick here . On the Carthaginian worship of Moloch or Saturn, Diodorus (book xx, chapter i) writes: "Among the Carthaginians there was a brazen statue of Saturn putting forth the palms of his hands bending in such a manner toward the earth, as that the boy who was laid upon them, in order to be sacrificed, should slip off, and so fall down headlong into a deep fiery furnace. Hence it is probable that Euripides took what he fabulously relates concerning the sacrifice in Taurus, where he introduces Iphigenia asking Orestes this question: 'But what sepulchre will me dead receive, shall the gulf of sacred fire me have?' The ancient fable likewise that is common among all the Grecians, that Saturn devoured his own children, seems to be confirmed by this law among the Carthaginians." The parallelism of the text therefore is very complete. The Israelites professed to be carrying the tabernacle of Yahweh upon which rested the Shekinah glory; but in spirit they were carrying the tabernacle of the cruelest and most malignant of all the deities of the heathen, and the light in which they were rejoicing was the star of the planet assigned to that deity.

Moloch then was the sun as king, and especially the sun as he entered upon what might be considered his peculiar kingdom, the zodiac from Taurus to Serpens and Scorpio, the period of the six summer months. The connection of the sun with Saturn may seem to us somewhat forced, but we have the most direct testimony that such a connection was believed in by the Babylonians click here . In Thompson's Reports, obverse of No. 176 reads: "When the sun stands in the place of the moon, the king of the land will be secure on his throne. When the sun stands above or below the moon, the foundation of the throne will be secure." The "sun" in this inscription clearly cannot be the actual sun, and it is explained on the reverse as being "the star of the sun," the planet Saturn. No. 176 rev. reads: "Last night Saturn drew near to the moon. Saturn is the star of the sun. This is the interpretation: it is lucky for the king. The sun is the king's star." The connection between the sun and Saturn probably arose from both being taken as symbols of Time. The return of the sun to the beginning of the zodiac marked the completion of the year. Saturn, the slowest moving of all the heavenly bodies, accomplished its revolution through the signs of the zodiac in about 30 years, a complete generation of men. Saturn therefore was in a peculiar sense the symbol of Time, and because of Time, of Destiny.

Swift Platinum Easton's Topical Bible:

"Remphan (Acts 7:43; R.V., "Rephan"). In Amos 5:26 the Heb. Chiun (q.v.) is
rendered by the LXX. "Rephan," and this name is adopted by Luke in his narrative of
the Acts. These names represent the star-god Saturn or Moloch."

Morals & Dogma pg 509

Smith's Bible Dictionary by William Smith, L.L.D. p.561:

"Remphan, Acts 7:43, and Chi'un, Amos 5:26, have been supposed to be names of
an idol worship secretly by the Israelites in the wilderness. Much difficulty has been
occasioned by this corresponding occurrence of two names so wholly different in
sound. The most reasonable opinion seems to be that Chiun was a Hebrew or
Semitic name and Remphan and Egyptian equivalent substituted by the LXX.
This idol corresponded probably to Saturn or Molech. The mention of Chiun or
Remphan as worshipped in the desert shows that this idolatry was, in part at least,
that of foreigners, and no doubt of those settled in lower Egypt."

2Ki 23:10  And he defiled Topheth in the valley of the sons of Hinnom, so that no man could cause his son and his daughter to pass through the fire of Molech.

Keep in mind:




http://www.everythingselectric.com/foru ... 389#msg389

[mgt23]

1ug5wgpa]

......disagree with the conclusion. The singularity is the basis for all being.

[mgt23]

1svp7qwv]

1svp7qwv]

1svp7qwv]

[mgt23]

........I'm going to show you the dialectic in action. Note how race is important on each of this two jew systems.

Abrahamic vs Babylonian

[youtube:1dybl6l2]http://www.youtube.com/watch?v=WMASH-nV9Dk[/youtube]1dybl6l2]
.......note his attack on Caucasians.

[youtube:1dybl6l2]http://www.youtube.com/watch?v=zI0w_sbu4bo[/youtube]1dybl6l2]
......note the comment on genetics and rejection of Christianity.

[youtube:1dybl6l2]http://www.youtube.com/watch?v=yshsAH4u9TA[/youtube]1dybl6l2]


.....this is what happened to John Allen Martinison.

[youtube:1dybl6l2]http://www.youtube.com/watch?v=nihds3atr00[/youtube]1dybl6l2]

[youtube:1dybl6l2]http://www.youtube.com/watch?v=9wc_dcdoWDc[/youtube]1dybl6l2]

[mgt23]

http://www.freeundergroundtekno.org/   ........................in case anyone is getting to serious reading all this.

[Timothy_Fitzpatrick]

MGT23, you might find the Early Church's debates on Satan enlightening. There was an old heresy floating around that evil and Satan were the opposite of good and God (Yin and Yang Kabbalist theory). The Church emphatically rejected this. Satan, it declared, was not at the same level of divinity as God and evil is merely the absence of good, not its equal opposite. Think of the moral ramifications of the Jewish Kabbalist philosophy of life. Most religions today are modelled after it. They say the New Age is really Jewish. And as you know, Theosophy is very Jewish.

Sidenote: notice that in the French language, black is "blanc", as in blank. In other words, darkness is not equal to colour or light, but is merely the absence of colour or light. For some reason, English does not reflect this very basic concept in calling it black. We see black as equal to white and colours. The English language has elevated the status of darkness the same way Satan has elevated himself to godhood.

[mgt23]

MGT23, you might find the Early Church's debates on Satan enlightening.

......i made no such statement, qualify your claim please? I was merely illustrating the dialectical dynamic at work.....within the jewish esoteric scene. Of which JAM has fallen foul of.

[CrackSmokeRepublican]

Oct 11, 2012

Both Saturn's body and its rings are so electrically active that they shine in X-ray light.

"Saturn is more like the Sun than the Earth."
— Wal Thornhill

Almost everyone knows that one should not look directly into the flame of an arc welder, since the plasma at the tip is so hot that it emits extreme ultraviolet light, which can damage the retina. Whenever X-rays are used to look inside the body, sensitive areas are shielded because the wavelengths are so energetic that they can ionize soft tissues, possibly destroying them.

It seems that a visit to Saturn might require one to don not only a spacesuit, but one able to withstand fairly hard radiation.

The plasmasphere of Saturn is an electrical environment, causing everything from dark-mode plasma discharges, to gigantic lighting bolts that flash across the ring plane. When the  Cassini-Huygens spacecraft got close enough to finally start observing Saturn, planetary scientists were shocked to discover lightning of immense power, up to a million times more powerful than anything on Earth.

However, the 90 megawatts of X-rays coming from the planet were not attributed to its electrical nature. Instead, Saturn's atmosphere is said to reflect X-rays from the Sun, although the science team admitted when the discovery was made that the intensity of the "reflections" was "surprising." The reason it was so surprising is that they ignored the fact that planets with magnetic fields can capture ionized particles to form a giant electrified magnetosphere.

In the past, NASA scientists reported that Enceladus, a small moon that orbits within Saturn's ring plane, causes Saturn's magnetosphere to bend. According to the report, the effect is due to a flow of electric charge that occurs when particles from Enceladus interact with the magnetosphere of Saturn. A demonstrable electrical effect is occurring between Saturn and Enceladus.

Once conventional science sees the question in electrical terms, the many puzzles with which they are confronted will become clear. The "electric Sun" is what drives the energetic phenomena on Saturn, as well as on its moon Enceladus and the other planets.

Saturn emits more energy than it receives: 2.3 times more, so it is being powered by another source. It is also probable that the interior of the planet has its own heat. There is good evidence that Saturn once existed as an independent body from the Sun. As such, it would have received more energy in the recent past, its power source having since been usurped by the Sun.

Jupiter is similar to Saturn, discharging more energy than it receives from the Sun, although Saturn's output is greater. One speculation is that super-cooled helium fell out of the atmosphere during Saturn's formation. The resulting kinetic energy might have warmed up the core. However, the evidence suggests that Saturn was once of greater stature, but has subsequently been dethroned.

According to ancient legends, Saturn occupied a position of prominence in the sky. It was not the tiny pinprick of light that can be seen on dark nights. Rather, it was worshipped as the central luminary, the all-powerful Sun. If that was the case, then its current position in the Solar System is far removed from what it was.

Without going into details that are elaborated elsewhere, that disturbance and rearrangement of planets means that Saturn is the way it is not because of how it was conventionally formed, but because it is closer to being a star than it is to being a planet. Indeed, as our ancestors tell us, it was a star.

Stephen Smith

http://www.thunderbolts.info/wp/2012/10/10/xaturn-3/

[mgt23]

Without going into details that are elaborated elsewhere, that disturbance and rearrangement of planets means that Saturn is the way it is not because of how it was conventionally formed, but because it is closer to being a star than it is to being a planet. Indeed, as our ancestors tell us, it was a star.

......thats an interesting avenue of exploration.

[mgt23]

[youtube:2tnq1nky]http://www.youtube.com/watch?v=omzCIdDwm5g[/youtube]2tnq1nky]

........this guy worries me.

Regarding the original church fathers church debate on this. The christian angle goes against traditional gaelic/antediluvean nationalism. In other words im more sympathetic to a knowledgeable caveman view of Christ than a priest crafters. the problem is the jew devil composite view this nutcase is promoting, is as bad as Yahwehism and the whole messianic tradition based on austerity. they are all DMT manipulation based.

What interests me about Christ is his blood sacrifice, his two laws and his stance against the jews.

.......also thinking about it is the total lack of the love of knowledge present with this guy, as he has an inbuilt view via his ego that all knowledge is to serve. Rather than receiving knowledge out of sheer curiosity. Unhappy is he who wishes to become magical.

Would you be rather taught magic or taught how to love?

[youtube:2tnq1nky]http://www.youtube.com/watch?v=BZwtTnfOg3k[/youtube]2tnq1nky]

....Talmud lesbian in love with herself. Sad really.

[mgt23]

[youtube:1htar9yk]http://www.youtube.com/watch?v=70g6_D9E7pw[/youtube]1htar9yk]
[youtube:1htar9yk]http://www.youtube.com/watch?v=azoG7j2vSs4[/youtube]1htar9yk]
[youtube:1htar9yk]http://www.youtube.com/watch?v=4OE6d8ZOaJg[/youtube]1htar9yk]
[youtube:1htar9yk]http://www.youtube.com/watch?v=QehMPRV3WXg[/youtube]1htar9yk]

............you will note how he places great emphasis on TIAMAT

[mgt23]

[youtube:161nugby]http://www.youtube.com/watch?v=4DMzr1roGZY[/youtube]161nugby]

.......how a Khazar thinks. Hilarious, unfortunately true.

[youtube:161nugby]http://www.youtube.com/watch?v=k2oW63XkBhw[/youtube]161nugby]

......and married into scottish/eastern european royalty, not the indigenous jew populations.

It was from the Khazars that the royalty got the occult element, which had previously been contained in the ghettos. All thats happened is that the ghetto jews have taken over or trying to, the royal jews(landed gentry/vatican)

[mgt23]

[youtube:2nja65xx]http://www.youtube.com/watch?v=S-xo2x0fVg0[/youtube]2nja65xx]
jews

[CrackSmokeRepublican]

[youtube:sxuow7i0]http://www.youtube.com/watch?v=nATrZ8FtQnU[/youtube]sxuow7i0]

Azubu --  a demon...  :shock:

[mgt23]

its cool now to be demonic  apparently.

[mgt23]

MGT23, you might find the Early Church's debates on Satan enlightening. There was an old heresy floating around that evil and Satan were the opposite of good and God (Yin and Yang Kabbalist theory). The Church emphatically rejected this. Satan, it declared, was not at the same level of divinity as God and evil is merely the absence of good, not its equal opposite. Think of the moral ramifications of the Jewish Kabbalist philosophy of life. Most religions today are modelled after it. They say the New Age is really Jewish. And as you know, Theosophy is very Jewish.

Sidenote: notice that in the French language, black is "blanc", as in blank. In other words, darkness is not equal to colour or light, but is merely the absence of colour or light. For some reason, English does not reflect this very basic concept in calling it black. We see black as equal to white and colours. The English language has elevated the status of darkness the same way Satan has elevated himself to godhood.

..............ok i conceed and agree with this view Tim.

[mgt23]

http://en.wikipedia.org/wiki/Doh%C3%A1n ... _Synagogue

Dohány Street Synagogue
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Dohány Street Synagogue
Dohány utcai Zsinagóga (Hungarian)

View of the synagogue from the Dohány street
Basic information
Location    Budapest, Hungary
Geographic coordinates    47°29′45″N 19°03′39″ECoordinates: 47°29′45″N 19°03′39″E
Affiliation    Neolog Judaism
Year consecrated    1859
Status    Active
Website    dohany-zsinagoga.hu
Architectural description
Architect(s)    Ludwig Förster
Architectural type    Synagogue
Architectural style    Moorish Revival
Direction of façade    SWbS
Groundbreaking    1854
Completed    1859
Specifications
Capacity    2,964
Length    75 m (246 ft)
Width    27 m (89 ft)
Width (nave)    12 m (39 ft)
Height (max)    43.6 m (143 ft)

The Dohány Street Synagogue (Hungarian: Dohány utcai zsinagóga/nagy zsinagóga, Hebrew: בית הכנסת הגדול של בודפשט‎ bet hakneset hagadol šel budapešt), also known as The Great Synagogue or Tabakgasse Synagogue, is located in Erzsébetváros, the 7th district of Budapest. It is the largest synagogue in Europe[1] and the fifth largest in the world.[2][citation needed] It seats 3,000 people and is a centre of Neolog Judaism.

The synagogue was built between 1854 and 1859 in the Moorish Revival style, with the decoration based chiefly on Islamic models from North Africa and medieval Spain (the Alhambra). The synagogue's Viennese architect, Ludwig Förster, believed that no distinctively Jewish architecture could be identified, and thus chose "architectural forms that have been used by oriental ethnic groups that are related to the Israelite people, and in particular the Arabs".[3] The interior design is partly by Frigyes Feszl.

The Dohány Street Synagogue complex consists of the Great Synagogue, the Heroes' Temple, the graveyard, the Holocaust memorial and the Jewish Museum, which was built on the site on which Theodore Herzl's house of birth once stood. Dohány Street itself, a leafy street in the city center, carries strong Holocaust connotations as it constituted the border of the Budapest Ghetto.[4]
Contents

   
History

Built in a residential area between 1854-1859 by the Neolog Jewish community of Pest according to the plans of Ludwig Förster, the monumental synagogue has a capacity of 2,964 seats (1,492 for men and 1,472 in the women's galleries) making it the largest in Europe and one of the largest working synagogue in the World, after the Belz Great Synagogue and the Beit Midrash of Ger in Jerusalem, the Breslov Uman Synagogue[5] in Uman, Ukraine and the Yetev Lev D'Satmar synagogue in New York City. The consecration of the synagogue took place on 6 September 1859.

The synagogue was bombed by the Hungarian pro-Nazi Arrow Cross Party on 3 February 1939.[6] Used as a base for German Radio and also as a stable during World War II, the building suffered some severe damage from aerial raids during the Nazi Occupation but especially during the Siege of Budapest. During the Communist era the damaged structure became again a prayer house for the much-diminished Jewish community. Its restoration started in 1991 and ended in 1998. The restoration was financed by the state and by private donations.
Architecture
Exterior

The building is 75 metres (246 ft) long and 27 metres (89 ft) wide.[7] The style of the Dohány Street Synagogue is Moorish but its design also features a mixture of Byzantine, Romantic and Gothic elements. Two onion-shaped domes sit on the twin octogonal towers at 43 metres (141 ft) height. A rose stained-glass window sits over the main entrance.

Similarly to basilicas, the building consists of three spacious richly decorated aisles, two balconies and, unusually, an organ. Its ark contains various torah scrolls taken from other synagogues destroyed during the Holocaust[citation needed].

The Central Synagogue in Manhattan, New York City is a near-exact copy of the Dohány Street Synagogue.[8]
Interior

The torah-ark and the internal frescoes made of colored and golden geometric shapes are the works of the famous Hungarian romantic architect Frigyes Feszl. A single-span cast iron supports the 12-metre-wide (39 ft) nave. The seats on the ground-floor are for men, while the upper gallery, supported by steel ornamented poles, has seats for women.

Franz Liszt and Camille Saint-Saëns played the original 5,000 pipe organ built in 1859.[9] A new mechanical organ with 63 voices and 4 manuals was built in 1996 by the German firm Jehmlich Orgelbau Dresden GmbH.[10]
Interior of the Dohány Street Synagogue
 
 
 
Renovation

It was only in the 1990s, following the return to democracy in Hungary, that renovations could begin. The three-year program of reconstruction was largely funded by a US$ 5 million donation from Hungarian Jewish immigrant Estée Lauder and was completed in 1996.[11][12]
Synagogue complex
Aerial view of the Dohány Street Synagogue complex
Jewish Museum

The Jewish Museum was constructed on the plot where Theodor Herzl's two-story Classicist style house used to stand, adjoining the Dohány synagogue.[13] The Jewish Museum was built in 1930 in accordance with the synagogue's architectural style and attached in 1931 to the main building. It holds the Jewish Religious and Historical Collection, a collection of religious relics of the Pest Hevrah Kaddishah (Jewish Burial Society), ritual objects of Shabbat and the High Holidays and a Holocaust room.
Heroes' Temple

The arcade and the Heroes' Temple, which seats 250 people and is used for religious services on weekdays and during the winter time, was added the Dohány Street Synagogue complex in 1931. The Heroes' Temple was designed by Lázlo Vágó and Ferenc Faragó and serves as a memorial to Hungarian Jews who gave their lives during World War I.
Jewish Cemetery
Jewish Cemetery

The cemetery is located in the back yard of the Heroes' Temple, enclosed by the Jewish Museum and the Dohány synagogue. According to the Jewish traditions cemeteries can not be on the premises of the house of prayer[citation needed]. This graveyard is the result of tragic historical events during World War II. In 1944, the Dohány Street Synagogue was part of the Jewish Ghetto for the city Jews and served as shelter for a lot of people. Over two thousand of those who died in the ghetto from hunger and cold during the winter 1944-1945 are buried in the courtyard of the synagogue.
The Memorial of the Hungarian Jewish Martyrs (Imre Varga, 1989)
Raoul Wallenberg Holocaust Memorial Park

The Raoul Wallenberg Emlékpark (memory park) in the rear courtyard holds the Memorial of the Hungarian Jewish Martyrs — at least 400,000 Hungarian Jews were murdered by the Nazis.[14] Made by Imre Varga, it resembles a weeping willow whose leaves bear inscriptions with the names of victims. There is also a memorial to Wallenberg and other Righteous Among the Nations, among them: Swiss Vice-consul Carl Lutz; Giorgio Perlasca, an Italian man who, with a strategic escamotage, declared himself the Spanish consul, releasing documents of protection and current passports to Jews in Budapest without distinction (he saved five thousand); Mons. Angelo Rotta, an Italian Prelate Bishop and Apostolic Nuncio of the State of Vatican City in Budapest, which issued protective sheets, misrepresentations of baptism (to save them from forced labor) and Vatican passports to Jews, without distinction of any kind present in Budapest (saving fifteen thousand), who saved, with his secretary Mons. Gennaro Verolino tens of thousands of Hungarian Jews during World War II.
Trivia

Dohány means tobacco in Hungarian, a loan word from Ottoman Turkish دخان (duhân), itself borrowed from Arabic دخان (duxân). A similar Turkish loanword for tobacco is used throughout the Balkans (e.g. duhan in Bosnian/Croatian).

Theodor Herzl in his speeches[15] and the Jewish Encyclopedia referred to the Dohány Street Synagogue as the Tabakgasse Synagogue. The Dohány Street Synagogue is also known under the name of the Tabak-Shul, the Yiddish translation of Dohány Synagogue.
See also

    Ujpest Synagogue
    Synagogues built in the Moorish Revival style:
        Leopoldstädter Tempel, Vienna, Austria
        Central Synagogue, New York, USA

http://en.wikipedia.org/wiki/Congregati ... f_New_York

Congregation Emanu-El of New York
From Wikipedia, the free encyclopedia
Jump to: navigation, search
For other places with the same name, see Emanu-El (disambiguation).
Temple Emanu-El on 5th Avenue in New York's Upper East Side

Temple Emanu-El of New York was the first Reform Jewish congregation in New York City and, because of its size and prominence, has served as a flagship congregation in the Reform branch of Judaism since its founding in 1845. Its landmark Romanesque Revival building on Fifth Avenue is widely admired as the largest, and one of the most beautiful synagogues in the world. It is slightly larger than the Budapest Great Synagogue, the largest in Eurasia.[1] Emanu-El means "God is with us" in Hebrew.

The congregation, currently 3000 families strong, is led by Senior Rabbi Dr. David M. Posner.[2]

The congregation is located at 1 East 65th Street on the Upper East Side of Manhattan.
Contents

    1 History
    2 Notable members
    3 References
    4 External links

History

The congregation was founded by 33 mainly German Jews who assembled for services in April 1845 in a rented hall near Grand and Clinton Streets in Manhattan's Lower East Side. The first services they held were highly traditional. The Temple (as it became known) moved several times as the congregation grew larger and wealthier.

In October 1847, the congregation relocated to a former Methodist church at 56 Chrystie Street. The congregation commissioned architect Leopold Eidlitz to draw up plans for renovation of the church into a synagogue.[3] Radical departures from Orthodox religious practice were soon introduced to Temple Emanu-El, setting striking precedents which proclaimed the principles of 'classical' Reform Judaism in America. In 1848, the German vernacular spoken by the congregants replaced the traditional liturgical language of Hebrew in prayer books. Instrumental music, formerly banished from synagogues, was first played during services in 1849, when an organ was installed. In 1853, the tradition of calling congregants for aliyot was abolished (but retained for bar mitzvah ceremonies), leaving the reading of the Torah exclusively to the presiding rabbi. By 1869 the Chrystie Street building became the home of Congregation Beth Israel Bikur Cholim.[4][5]

Further changes were made in 1854 when Temple Emanu-El moved to 12th Street. Most controversially, mixed seating was adopted, allowing families to sit together, instead of segregating the sexes on opposite sides of a mechitza. After much heated debate, the congregation also resolved to observe Rosh Hashanah for only one day rather than the orthodox two.

In 1857 after the death of Founding Rabbi Merzbacher, German speakers still formed a majority of the congregation and appointed another German Jew, Samuel Adler, to be his successor.

In 1868, Emanu-El erected a new building for the first time, a spectacular Moorish Revival structure by Leopold Eidlitz, assisted by Henry Fernbach at 43rd Street and 5th Avenue after raising about $650,000.[6]

The congregation hired its first English speaking rabbi, Dr. Gustav Gottheil, in 1873, from Manchester, England.

In 1888, Joseph Silverman became the first American born rabbi to officiate at the Temple. He was a member of the second class to graduate from Hebrew Union College.

The 1870s and 1880s witnessed further departures from traditional ritual. Men could now pray without wearing kippot to cover their heads. Bar mitzvah ceremonies were no longer held. The Union Prayer Book was adopted in 1895.

Felix Adler, the founder of the Ethical Culture movement, came to New York as a child when his father, Samuel L. Adler, took over as the rabbi of Temple Emanu-El, an appointment that placed him among the most influential figures in Reform Judaism.

In 1924, Lazare Saminsky became music director of the Temple, and made it a centre of Jewish music. He also composed and commissioned music for the Temple services.

In 1926, the existing synagogue (built in 1868), was sold to the Durst family[7] and demolished in 1927 to make room for commercial development.[8]

Emanu-El merged with Temple Beth-El on April 11, 1927, and both are considered co-equal parents of the current Emanu-El. In 1929, the congregation moved to its present location at 65th Street and Fifth Avenue, where the Temple building was constructed to designs of Robert D. Kohn[9] on the former site of the Mrs. William B. Astor House. The vast load-bearing masonry walls support the steel beams that carry its roof. The hall seats 2,500, larger than St Patrick's Cathedral (AIA Guide)

By the 1930s, Emanu-El began to absorb large numbers of Jews whose families had arrived in poverty from Eastern Europe and brought with them their Yiddish language and devoutly Orthodox religious heritage. In contrast, Emanu-El was dominated by affluent German-speaking Jews whose liberal approaches to Judaism originated in Western Europe, where civic emancipation had enticed Jews to discard many of their ethnoreligious customs and embrace the lifestyles of their neighbors. For the descendants of Eastern European immigrants, joining Temple Emanu-El often signified their upward mobility and progress in assimilating into American society. However, the intake of these new congregants also helped to put a brake on, if not force a limited retreat from, the 'rejectionist' attitude which 'classical' Reform had espoused towards traditional ritual.
Notable members
Detail of the rose window

    Adolph Ochs
    Solomon Loeb
    Oscar S. Straus
    Louis Marshall
    Felix M. Warburg
    Irving Lehman
    Lewis L. Strauss
    Herbert H. Lehman
    Eliot Spitzer
    Alan "Ace" Greenberg
    Joan Rivers
    Leon Black
    Michael Bloomberg

In fiction, the synagogue was the site of the Bar Mitzvah of Benjamin Grimm[10]
References

    ^ Sacred Destinations Largest Sacred Sites in the World
    ^ Emanu-El | Home
    ^ Rachel Wischnitzer, Synagogue Architecture in the United States, Jewish Publication Society of America, 1955, p. 48
    ^ New York as it was and as it is, Pub. D van Nostrand, New York, 1876,p. 131
    ^ John Disturnell
    ^ Kathryn E. Holliday, Leopold Eidlitz: Architecture and Idealism in the Gilded Age. New York: W. W. Norton, 2008, p. 71 ff.
    ^ The Durst Organization: Timeline retrieved July 8, 2012
    ^ The Museum of the City of New York: "Temple Emanu-El" by Lauren Robinson October 11, 2011
    ^ Kohn was working in partnership with Charles Butler and Clarence S. Stein; Mayers, Mauray & Philip consulted.
    ^ Thing v.2 #8 as cited at http://wolkin.com/2010/12/1516/the-8th- ... ing-grimm/

External links
   Wikimedia Commons has media related to: Temple Emanu-El, New York

    Congregation Emanu-El of New York
    Congregation Emanu-El of New York at YouTube
    Stephen Birmingham, The Temple that 'Our Crowd' Built, New York Magazine, 21 April 1980. via Google Books.

Coordinates: 40°46′4.89″N 73°58′10.89″W

[Timothy_Fitzpatrick]

MGT23, you might find the Early Church's debates on Satan enlightening.

......i made no such statement, qualify your claim please? I was merely illustrating the dialectical dynamic at work.....within the jewish esoteric scene. Of which JAM has fallen foul of.

mgt, I think you misunderstood what I said. I made no claim. I was suggesting you read the Early Church on doctrines concerning evil and Satan, as they corroborate what you are posting about Kabbalism.

[Timothy_Fitzpatrick]

Privatio Boni

The privation of good (Latin: privatio boni) is a theological doctrine that evil, unlike good, is insubstantial, so that thinking of it as an entity is misleading. Instead, evil is rather the absence or lack ("privation") of good.[1][2][3]

It is typically attributed to St. Augustine of Hippo, who wrote:

And in the universe, even that which is called evil, when it is regulated and put in its own place, only enhances our admiration of the good; for we enjoy and value the good more when we compare it with the evil. For the Almighty God, who, as even the heathen acknowledge, has supreme power over all things, being Himself supremely good, would never permit the existence of anything evil among His works, if He were not so omnipotent and good that He can bring good even out of evil. For what is that which we call evil but the absence of good? In the bodies of animals, disease and wounds mean nothing but the absence of health; for when a cure is effected, that does not mean that the evils which were present—namely, the diseases and wounds—go away from the body and dwell elsewhere: they altogether cease to exist; for the wound or disease is not a substance, but a defect in the fleshly substance,—the flesh itself being a substance, and therefore something good, of which those evils—that is, privations of the good which we call health—are accidents. Just in the same way, what are called vices in the soul are nothing but privations of natural good. And when they are cured, they are not transferred elsewhere: when they cease to exist in the healthy soul, they cannot exist anywhere else.[4]

http://en.wikipedia.org/wiki/Absence_of_good

Of course, this gets back to the Jews' worship of what is essentially nothingness, nihilism. They can make themselves believe they are worshipping themselves or Satan or whatever, but in reality, it is the absence of good, truth, and God—nothing more.

Our perceptions are based on contrast, so that light and dark, good and evil, are imperceptible without each other; in this context, these sets of opposites show a certain symmetry. But a basic study of optics teaches us that light has a physical presence of its own, whereas darkness does not: no "anti-lamp" or "flashdark" can be constructed which casts a beam of darkness onto a surface that is otherwise well-lit. Instead, darkness only appears when sources of light are extinguished or obscured, and only persists when an object absorbs a disproportionate amount of the light that strikes it.

The relationship between light and darkness is often used to frame a metaphorical understanding of good and evil. This metaphor can be used to answer[citation needed] the problem of evil: If evil, like darkness, does not truly exist, but is only a name we give to our perception of privatio boni, then our widespread observation of evil does not preclude the possibility of a benevolent, omniscient, and omnipresent God.

If the metaphor can be extended, and good and evil share the same asymmetry as light and darkness, then evil can have no source, cannot be projected, and, of itself, can offer no resistance to any source of good, no matter how weak or distant. In this case, goodness cannot be actively opposed, and power becomes a consequence of benevolence. However, in this case evil is the default state of the universe, and good exists only through constant effort; any lapse or redirection of good will apparently create evil out of nothing.
[edit]

Protestants hate this doctrine. Seems it conflicts with their Kabbalist roots. Calvinism is rumoured to have been a Jewish invention. Some say John Calvin himself was Jewish. But notice that Calvinism fully endorses Kabbalism? To Calvinists, God uses both good and evil to carry out his will.

Augustine's belief that 'sickness and wounds are nothing but the privation of health', seems logical when it comes to illness, and may work on a number of levels elsewhere. However, if this is the case, where did evil (or the ability for things to become corrupted), first begin? Well as far as Augustine is concerned, evil entered the world as a result of the wrong choices of free beings (free in the sense that there was no external force necessitating them to do wrong). In other words, corruption occurred as a result of freewill...God, although omnipotent, omniscient and all-good, and despite creating the world and everything in it to be good, is innocent when it comes to the presence of sin and evil in the heavens and the earth, as this occurred as the result of the freedom for both humanity and the angels, to make their own decisions.

[mgt23]

You are correct is was my misreading somehow of what you wrote, i conceded and agree with you point. Furthermore, your point on calvinism fits with my view that the Kabballah system penetrated the monarchy possibly under Henry the Eighth, but definitely under Elizabeth the First and John Dee which would make sense.

Under the British "Reform Jew" system, (as opposed to Nealog Judaism; which is why we have power struggles between New York and London) the Queen is portrayed as the Scarlet Women. Mark Allen Smith(see 1st post) in his little jew death cult he has running for queeny is saying that Hecate is the sister, mother, consort of the initiate.
look at this...............
http://www.royal.gov.uk/MonarchUK/Armed ... orces.aspx

The Queen as Sovereign is Head of the Armed Forces. She is also the wife, mother and grandmother of individuals either having served, or are currently serving, in the Armed Forces.

The Queen is the only person to declare war and peace. This dates back from when the Monarch was responsible for raising, maintaining and equipping the Army and Navy.

.............similar yes?

It is Crowley's jewified Golden Dawn which is pushing this to the mainstream. Crowley then left the golden dawn death cult and moved into a saturn murder cult after shooting a supposed indian mugger in india(he was never charged or extradited).

An understanding of christianity must clear the name of Hecate and the damage that Crowley did, in her natural form of Heqet.

Later, as a fertility goddess, associated explicitly with the last stages of the flooding of the Nile, and so with the germination of corn, she became associated with the final stages of childbirth. This association, which appears to have arisen during the Middle Kingdom, gained her the title She who hastens the birth.[6] Some claim that—even though no ancient Egyptian term for "midwife" is known for certain—midwives often called themselves the Servants of Heqet, and that her priestesses were trained in midwifery.[7] Women often wore amulets of her during childbirth, which depicted Heqet as a frog, sitting in a lotus.

Heqet was considered the wife of Khnum, who formed the bodies of new children on his potter's wheel.[8]

In the myth of Osiris developed, it was said that it was Heqet who breathed life into the new body of Horus at birth, as she was the goddess of the last moments of birth. As the birth of Horus became more intimately associated with the resurrection of Osiris, so Heqet's role became one more closely associated with resurrection. Eventually, this association led to her amulets gaining the phrase I am the resurrection, and consequently the amulets were used by early Christians.[9]

........this would have immediate implications not just for gaelic or orthodox Christianity but for the coptics as well.


..................consider the following
http://en.wikipedia.org/wiki/Herne_The_Hunter
Herne the Hunter

From Wikipedia, the free encyclopedia
  (Redirected from Herne The Hunter)

Herne with his steed, hounds and owl, observed by the Duke of Richmond and the Earl of Surrey, in Harrison Ainsworth's Windsor Castle, illustrated by George Cruikshank, c.1843.

In English folklore, Herne the Hunter is a ghost associated with Windsor Forest and Great Park in the English county of Berkshire. His appearance is notable in the fact that he has antlers upon his head.

The first literary mention of Herne is in William Shakespeare's play, The Merry Wives of Windsor, though there are several theories attempting to place the origins of Herne as predating any evidence for him by connecting his appearance to pagan deities or ancient archetypes.

Herne has appeared in various books, TV series and other media since his first mention by Shakespeare.
Contents


The legend

For such an iconic figure, there is surprisingly little written evidence for Herne the Hunter before the 1840s.

Shakespeare as the earliest source merely describes Herne the Hunter as "a spirit" and "sometime a keeper ... in Windsor forest" who is seen to "walk round about an oak, with great ragg'd horns" at midnight during winter-time.

Two hundred years later in 1792 Samuel Ireland slightly expands on Shakespeare as follows: "The story of this Herne, who was keeper in the forest in the time of Elizabeth, runs thus: - That having committed some great offence, for which he feared to lose his situation and fall into disgrace, he was induced to hang himself on this tree."

William Ainsworth's romantic novel Windsor Castle which began serialisation in 1842 contains a fictionalised account of the origins of Herne the Hunter set during the reign of Richard II. This fabrication was popular with the Victorians, and has come down to the present day as being the legend.
The ghost

The earliest written account of Herne comes from Shakespeare's The Merry Wives of Windsor in 1597:

    Sometime a keeper here in Windsor Forest,
    Doth all the winter-time, at still midnight,
    Walk round about an oak, with great ragg'd horns;
    And there he blasts the tree, and takes the cattle,
    And makes milch-kine yield blood, and shakes a chain
    In a most hideous and dreadful manner.
    You have heard of such a spirit, and well you know
    The superstitious idle-headed eld
    Receiv'd, and did deliver to our age,
    This tale of Herne the Hunter for a truth.

        — William Shakespeare, The Merry Wives of Windsor

This records several aspects of Herne's ghost which is said to have haunted Windsor Forest (covering all of East Berkshire and parts of south Buckinghamshire, northeast Hampshire and northwest Surrey) and specifically the Great Park ever since his death. Further details have entered local folklore from reported sightings , such as those in the 1920s.[1] He appears antlered, sometimes beneath the tree on which he was hanged, known as "Herne's Oak", but more often riding his horse, accompanied by other wild huntsmen and the captured souls of those he has encountered on his journey. He is thus a phantom of ill omen, particularly for the country and, specifically, the Royal Family. He has a phosphorescent glow and is accompanied by demon hounds, a horned owl and other creatures of the forest.
Herne's Oak

The supposed location of Herne's Oak was, for many years, a matter of local speculation and controversy. Some Ordnance Survey maps show Herne's Oak a little to the north of Frogmore House in the Home Park (adjoining Windsor Great Park). This is generally believed to be the correct site from which the oak of Shakespeare's time was felled in 1796.

In 1838, Edward Jesse claimed that a different tree in the avenue was the real Herne's Oak, and this gained in popularity especially with Queen Victoria. This tree was blown down on 31 August 1863, and Queen Victoria had another tree planted on the same site. The Queen's tree was removed in 1906 when the avenue was replanted.

The legend of the oak was looked into by her son, King Edward VII and a new oak planted on the site of the tree that was felled in 1796.
Possible origins

Various theories have been proposed to account for the origin of the character, none of which has been proved conclusive, and the source for many of the tales told of Herne remain unknown.
Celtic deity

In his 1929 book The History of the Devil - The Horned God of the West Herne R. Lowe Thompson suggests that "Herne" as well as other Wild Huntsmen in European folklore all derive from the same ancient source, citing that "Herne" may be a cognate of the name of Gaulish deity Cernunnos in the same way that the English "horn" is a cognate of the Latin "cornu" (see Grimm's Law for more details on this linguistic feature).[2] Some modern neo-pagans such as Wiccans accept Lowe Thompson's equation of Herne with Cernunnos (which they further connect to the Greco-Roman god Pan).[3] Herne however is a localised figure, not found outside Berkshire and the regions of the surrounding counties into which Windsor Forest once spread. Clear evidence for the worship of Cernunnos has however been recovered only on the European mainland, and not in Britain.[4] "Herne" is clearly derived ultimately from the same Indo-European root, *ker-n-, meaning bone or horn from which "Cernunnos" derives.[5] However a more direct source is the Old English hyrne, meaning "horn" or "corner",[6][7][8] which is inconsistent with the Cernunnos theory.
Anglo-Saxon deity

In the Early Middle Ages, Windsor Forest came under the control of the pagan Angles who worshiped their own pantheon of gods, including Woden, who was sometimes depicted as horned,[9][10] and whose Norse equivalent Odin rode across the night sky with his own Wild Hunt and hanged himself on the world tree Yggdrasil in order to learn the secret of the runic alphabet. It has been suggested that the name Herne is derived from the title Herian,[11] a title used for Woden in his role as leader of fallen warriors (Old Norse Einherjar).[12][13][14][15] Another Wild Hunt-associated folkloric figure, King Herla, started as the Old English Herla cyning, a figure that is usually said to be Woden, but was later re-imagined by Walter Map in literature as a Brythonic king (see Herla article) who after traveling to an Otherworld returns to find his lands inhabited by Englishmen, has a name that has also been connected to Herian and thus also possibly to Herne.[16]
Historical individual

Both Shakespeare and Samuel Ireland identify Herne as a real historical individual, the latter saying that he died an unholy death of the type that might have given rise to tales of hauntings by his unquiet spirit. The fact that Herne is apparently a purely local figure supports this theory. One possibility is that Herne is supposed to be the ghost of Richard Horne, a yeoman during the reign of Henry VIII who was caught poaching in the wood. This suggestion was first made by James Halliwell-Phillipps, who identified a document listing Horne as a "hunter" who had confessed to poaching.[17] The earliest edition of The Merry Wives of Windsor spells the name "Horne".[18]
Post-Shakespearean adaptations
Music

    Arrigo Boito, composing a libretto for Verdi's opera Falstaff by improvising upon materials in Merry Wives and Henry IV, built the moonlit last act set in Windsor Great Park around a prank revenge played upon the amorous Falstaff by masqueraders disguised as spirits and the spectral "Black Huntsman", in whom Herne the Hunter is recognizable. Carlo Prospero Defranceschi wrote a similar libretto for composer Antonio Salieri that specifically mentions Herne.
    Ralph Vaughan Williams' opera Sir John in Love, an adaptation of Shakespeare's Merry wives, feature an impersonation of Herne the Hunter to misguide Falstaff.
    "The Legend of Herne the Hunter" was part of Sir Arthur Sullivan's ballet Victoria and Merrie England of 1897, which portrayed various scenes from British folklore and history.
    In the light opera Merrie England by Sir Edward German (1902), the librettist Basil Hood introduces another impersonation of Herne as a device to induce a change of heart in Queen Elizabeth I.
    One of the earliest recordings by British progressive rock band Marillion is an instrumental song titled "Herne the Hunter" based on the legend.
    Herne the Hunter features in the lyrics of the song "English Fire" by Cradle of Filth on their album Nymphetamine.
    On the 2008 Album, "Blessings" by S.J. Tucker a song is titled "Hymn To Herne.
    Singer-songwriter Kenny Klein has written and recorded two different songs about the legend of Herne, one of which, "Herne's Oak", is featured on the soundtrack of the documentary "Deep Down: A Story From The Heart" by Jen Gilomen and Sally Rubin.
    In 2011 the pagan metal band Herne released an album called Face of the Hunter, "inspired by the 1980s TV series 'Robin of Sherwood'";[19] the album introduction describes the famous falling whole tone motif that occurs in each episode.

Literature

    William Harrison Ainsworth's Victorian romance of Windsor Castle featured Herne and popularised him.
    Herne the Hunter appears in Susan Cooper's The Dark Is Rising sequence where he plays a key part in the end of the book by the same name and the series' ending Silver on the Tree.
    Herne the Hunted is a parody of Herne the Hunter in Terry Pratchett's Discworld series. He is a small god and the patron of those animals destined to end up as a "brief, crunchy squeak."
    Herne the Hunter is a key figure in Ruth Nichols' children's novel The Marrow of the World. His character has no supernatural attributes.
    English Poet Laureate John Masefield included Herne the Hunter as a benevolent 'spirit of the woodlands' in his children's book The Box of Delights.
    Herne made an appearance in the Bitterbynde trilogy by Cecilia Dart-Thornton. In these books Herne is portrayed as a powerful "unseelie wight" by the name of Huon who leads his hellhounds in search of the main protagonist.
    Herne the Hunter appears as a supporting character in Simon Green's Nightside series. He actually appears on the cover of "Hex and the City" (Book 4), although his role in the actual novel is rather inconsequential.
    Herne the Hunter is one of the main antagonists in C. E. Murphy's Urban Shaman.
    Herne is the Deer God in the book Fire Bringer, by David Clement-Davies
    Herne the Hunter, also named as Cenneros, is a character in Michael Scott's series of The Alchemist, the Immortal Secrets of Nicholas Flammel.

Other references

    Herne was incorporated into the Robin Hood legend in the 1984 television series, Robin of Sherwood. In it, Robin of Loxley is called by Herne to take on the mantle of "the Hooded Man", which Robin's father had predicted beforehand. It is Herne who encourages Loxley to become 'Robin i' the Hood' and to use his band of outlaws to fight for good against the evil Norman oppressors. Herne's appearance bears a very strong resemblance to the illustrations that previously depicted him, in that an otherwise unnamed shaman character, portrayed by actor John Abineri, dons a stag's head and tells Robin that "when the horned one possesses [him]", he becomes the spirit of the forest. Herne featured in 17 of the 26 episodes of the series and was shown to have various magical abilities. The series' adaptation of the Robin Hood mythos has become extremely influential and many of its brand-new elements have since been reinterpreted in a manner of different ways in nearly all of the subsequent films and television series of the legend.
    Herne the Hunter is also featured as a guiding character in John Masefield's novel The Box of Delights and the 1984 BBC TV adaptation.
    Herne the Hunter is Monster in My Pocket #59.
    Herne is a deer-headed guide in Ursula Vernon's webcomic Digger.
    Herne is a forest spirit in issue #26 of the Green Arrow comic book series.
    In the 2004 console game The Bard's Tale, Herne is one of the three guardians of the towers.
    In The Elder Scrolls, a role-playing video game series, the deity known as the Daedric Prince Hircine, Spirit of the hunt, seems to be based on Herne, as a deer-headed hunter spirit. His servants are called Hernes.
    In 2010, Herne the Hunter appeared in the Big Finish Doctor Who audio adventure Leviathan, a "lost" story from the Colin Baker years (an unproduced script from the 1980s).
    In Lesley Livingston's 2008 debut novel, Wondrous Strange, Herne is an ancient hunter and former lover of Queen Mabh who now owns the Tavern on the Green in Central Park, New York City.
    A person playing Herne the Hunter appears in comic book Hellboy: The Wild Hunt.
    The Danish band Wuthering Heights published a song called "Longing For The Woods Part III: Herne's Prophecy" on their album Far From The Madding Crowd in 2004, and Erik Ravn also said "Herne protect you!" at the end of their live show at the ProgPower festival in Atlanta, Georgia in the summer of 2004.

See also

    Cernunnos
    Green Man
    Horned God
    Hunting
    Jack in the green
    Wild Hunt
    Woden

References

    Fitch, Eric (1994). In Search of Herne the Hunter. Capall Bann Publishing. ISBN 978-1-898307-23-5.
    Ireland, Samuel (1792). Picturesque Views on the River Thames.
    Petry, Michael John (1972). Herne the Hunter: A Berkshire Legend. William Smith (Booksellers) Ltd. ISBN 978-0-9500218-8-1.

Notes

    ^ R. Lowe Thompson, The History of the Devil 1929 p. 134
    ^ The History of the Devil by R. Lowe Thompson, 1920, page. 133
    ^ 'Simple Wicca: A simple wisdom book' by Michele Morgan, Conari, 2000, ISBN 1-57324-199-7, ISBN 978-1-57324-199-1as
    ^ Ronald Hutton, The Pagan Religions of the Ancient British Isles: Their Nature and Legacy, People of the Mist (chpt 5)
    ^ https://sites.google.com/site/gmgleadal ... celticarum
    ^ Shipley, Joseph Twadell. 'Dictionary of Early English'. Philosophical Library, 1955. Page 330.
    ^ http://rodneymackay.com/writing/pdf%20f ... ldmyth.pdf
    ^ Bosworth, Joseph.A Dictionary of the Anglo-Saxon Language, Containing the Accentuation--the Grammatical Inflections--the Irregular Words Referred to Their Themes--the Parallel Terms, from the Other Gothic Languages--the Meaning of the Anglo-Saxon in English and Latin--and Copious English and Latin Indexes ... Published by Longman, Rees, Orme, Brown, Green, and Longman, 1838. Page 189.
    ^ http://www.catshaman.com/s21edda2/09Eddagods2.htm
    ^ hesternic.tripod.com
    ^ Matthews, John. The Quest for the Green Man. Published by Quest Books, 2001. ISBN 0-8356-0825-5, ISBN 978-0-8356-0825-1. Page 116
    ^ Spence, Lewis. Hero Tales and Legends of the Rhine. BiblioBazaar, LLC, 2007. ISBN 1-4346-2755-1, ISBN 978-1-4346-2755-1. page 68
    ^ De Berard Mills. Bardeen, C.W.'The Tree of Mythology, Its Growth and Fruitage: Genesis of The Nursery Tale, Saws of Folk-lore, etc'. 1889
    ^ De Vries, Eric. 'Hedge-Rider: Witches and the Underworld'. Pendraig Publishing, 2008. ISBN 0-9796168-7-5, ISBN 978-0-9796168-7-7
    ^ Greenwood, Susan.' The Nature of Magic: An Anthropology of Consciousness'. Berg Publishers, 2005. ISBN 1-84520-095-0, ISBN 978-1-84520-095-4. Page 120
    ^ http://www.orkneyjar.com/tradition/hunt.htm
    ^ Hedley, Windsor Castle, 93.
    ^ Jeffrey Theis, The "ill kill'd" Deer: Poaching and Social Order in The Merry Wives of Windsor, Texas Studies in Literature and Language 43.1 (2001) 46-73.
    ^ http://www.kingpenda.com/herne

http://en.wikipedia.org/wiki/White_Hart

The White Hart ("hart" is an archaic word for a mature stag) was the personal emblem and livery of Richard II, who derived it from the arms of his mother, Joan "The Fair Maid of Kent", heiress of Edmund of Woodstock. In the Wilton Diptych (National Gallery, London), which is the earliest authentic contemporary portrait of an English king, Richard II wears a gold and enamelled white hart jewel, and even the angels surrounding the Virgin Mary all wear white hart badges. In English Folklore, the White Hart is associated with Herne the Hunter.

http://www.timelessmyths.com/arthurian/ ... .html#Hart
Quest of the White Hart
 

During the wedding of Arthur and Guinevere, they witness strange event. A white hart (or stag) ran through Arthur's hall, followed by the brachet (bitch-hound), which would every now and then, the hound would bite the hart on its hindquarters. Thirty hounds pursued the white stag. A knight would then steal the brachet. A lady riding a white palfrey into Arthur's court, complaining that the knight had stolen her brachet. Another knight arrived and abducted the lady.

Merlin told Arthur that he required three knights to fetch the hart and the brachet, and rescued the lady. Merlin assigned the individual quest to three knights. Gawain must seek out the white stag, while Tor, the bastard son of Pellinor, had to fetch the brachet. Finally Pellinor's quest was to rescue the lady.


The author first speaks of Gawain's adventure. His brother Gaheris served as his squire, accompany the young knight's first quest. When Gawain chased the hart to a castle, a knight named Ablamor of the Marsh, was the lord of the castle, killed Gawain's two hounds. Gawain angrily fought the knight in single combat, because Ablamor had killed his hounds. Though the other knight admitted defeat, Gawain refused to give mercy to the knight. Just before Gawain could kill the knight, the knight's lady in desperation threw herself upon her lover. Gawain killed the lady when his sword struck off her head. Gawain was upset for killing the lady.

Four knights would later capture Gawain and his brother. The four knights would have killed the brothers, had Gawain not revealed his identity to the four damsels that he was the nephew of King Arthur. They set him free and gave the hart to Gawain.

When he returned to Camelot, Gawain won shame instead of glory. Guinevere and all the ladies punished Gawain. They also made him promise to always give mercy to another knight who ask for it, and that he must always give aid to any lady or damsel who ask for it.


Tor's adventure was more successful in retrieving the brachet (bitch-hound). Pellinor's success was mixed.

Though King Pellinor was also successful in his quest to rescue the lady, his adventure was marred by the fact that he failed to aid a damsel weeping over a wounded knight, because he was in a hurry to complete his quest. The damsel cursed Pellinor that one day his friend will fail him when he needed help the most.

Pellinor had rescue the lady by defeating two knights: killing one and wounding the other. As Pellinor return to Camelot with the lady, he found that the damsel, he had abandoned, had killed herself in her grief. While lions had ate part of her body.

This had greatly upset Pellinor. Pellinor transported the dead knight's body to hermitage for burial, while he took the damsel's head back with him to Camelot. As Pellinor retold his adventure to the people at Camelot, Merlin sadly informed the king that the dead damsel was Pellinor's own daughter, Elaine or Heliabel, whose mother was the Lady of the Rule.

Finally we know the identity of the lady that King Pellinor had rescued. Her name was Niniane (Nimue according to Sir Thomas Malory's Le Morte d'Arthur), the Lady of the Lake.

[Timothy_Fitzpatrick]

...Graetz similarly protrays the Reformation as "the triumph of Judaism," a claim that many Catholics made in Luther's day. Graetz applauds Luther's early defense of the Jews...describing Luther's sentiments as words "which the Jews had not heard for a thousand years. They show unmistakable traces of Reuchlin's mild intercession in their favor. many hot-headed Jews saw in Luther's opposition to the papacy the extinction of Christianity and the triumph of Judaism. Three learned Jews went to Luther and tried to convert him. Enthusiastic feelings were aroused among the Jews at this unexpected revulsion, especially at the blow dealt the papacy and the idolatrous worship of images and relics; the boldest hopes were entertained for the speedy downfall of Rome and the approaching redemption by the Messiah."

Walsh claims the "stormiest preachers" of the Reformation were "of Jewish descent." Michael Servetus, the first Unitarian, was influenced in his attack on the Trinity by Jews. Calvinism became a "convenient mask" for Jews in Antwerp after their expulsion from Spain, confirming that Protestants were half-Jews and adding to the suspicions of Catholic leaders. Dr. Lucien Wolf claims, "Marranos in Antwerp had taken an active part in the Reformation movement and had given up their mask of Catholicism for a not less hollow pretense of Calvinism. The change will be readily understood. The simulation of Calvinism brought them new friends, who, like them, were enemies of Rome, Spain, and the Inquisition. It helped them in their fight against the Holy Office, and for that reason was very welcome to them. Moreover, it was a form of Christianity which came nearer to their own simple Judaism. The result was that they became zealous and valuable allies of the Calvinists."
—E. Michael Jones, The Jewish Revolutionary Spirit and its Impact on World History, Fidelity Press, South Bend, Indiana, 2008. pp. 268-269

The story behind Calvin's crypto-Kabbalism:

The accusation that Protestants were Jews was not new. Calvin claimed an opponent "called me a Jew, because I maintain the rigor of the law intact." Others claimed the Genevan reliance on "jure gladdi," the law of the sword, to suppress dissent made Calvin "a Jew." Calvin was a lawyer before he became a reformer; his reliance on the law to micromanage the minutiae of everyday life reminded many of Jewish proscriptions in Deuteronomy and Numbers. His notion that idolatry should be uprooted by military force was consistent with the Anabaptist reading of the Old Testament. His approach was a more refined, more sophisticated, and more legalistic appropriation of the Old Testament than the version that had inspired the Anabaptists in Muenster and the Taborites in Bohemia. The idea Calvin was a Jew or he was working for the Jews was, therefore, is not new or far-fetched....

Luther, Zwingli, and Calvin were all students of Nicholas of Lyra, a Franciscan monk of Jewish descent who lived in the 14th Century. Nicholas got his ideas from Raschi, who was the conduit that allowed the Talmud scholarship of his father, Isaac of Troyes, to flow directly into Protestantism. Reuchlin was another conduit. When Pfefferkorn accused Reuchlin of being in the pay of the Jews to disseminate propaganda, the essential truth of the charge caused Reuchlin to issue a violent denial in his pamphlet Augenspiegel.

—pp. 341