TiU Radio Sat 25th Apr 09 - guest DBS

[Ognir]

http://theinfounderground.com/archives/ ... .Smith.mp3

http://theinounderground.com
TiU Radio
Host Ognir
Recorded 25th April 2009
Guest Daryl Bradford Smith (http://www.iamthewitness.com)

Jewish control of the Media
Jewish control of the Alternative Media
Intro(s) Alex Jones - Israel had no part in 911
& Arabs own Hollywood
Swine Flu
Joe Blue's Tracker
Jews and Hollywood
The Jewish Lobby
UN and Durban2
European Jewish Lobby
Desertpeace blogspot
Arch Bishop in Adelaide  No Jewish Jokes
Rothschild bankers

Music Jump you Fuckers
Mel Gibson & divorce
Aipac
2 Jews running the Education system in the US
Taliban no Heroin in Geneva,  US wars for Israel, 300% rise in 3 years on the streets

Enjoy
Team TiU

[LordLindsey]

Thank you for another great show full of useful information, Noel.


LINDSEY

[Ognir]

You are welcome
Enjoyed that show

[ehpg]

Here is the full write up:
Hollywoodism: Jews, movies and the American dream

For anyone who disputes the fact that Jews run Hollywood, this obscure little documentary film is a must-see.

"Hollywoodism: Jews, Movies and the American Dream" is a mainstream production and therefore contains a number of exaggerations and falsehoods. It does, however, make one important concession: namely, that Hollywood -- and the industry it spawned -- was "largely the product of six movie studios... run for over 30 years by a group of Jewish immigrants" with "strikingly similar backgrounds."

The 1hr/42m film goes on to explain how these studios, under exclusively Jewish ownership, spent the next several decades using their new medium to create an artificial "American Dream." As the narrator explains in the introduction: "This is the story of the founders of Hollywood; the story of the idea that became their America -- and ours."

Quoting a host of Jewish film experts, "Hollywoodism" answers the contentious question of Jewish influence on the movie industry straight from the horse's mouth: as Author/Historian Aljean Harmetz states: "I'm not sure that there was an 'American Dream' before the Jews came to Hollywood and invented it."

Based on Neal Gabler's best-selling book, An Empire of Their Own: How the Jews Invented Hollywood, the book tells the story of a small group of Jewish immigrants who transformed the technological novelty of moving pictures into the most influential art form of the twentieth century.

"Modern America first saw light on a Hollywood screen," the documentary begins. "It was largely the product of six movie studios, established in the 1920s, and run for over 30 years by a group of Jewish immigrants" with "strikingly similar backgrounds."

The moguls -- virtually all of them Jewish -- included Harry Warner of Warner Bros., born in Poland; Samuel Goldwyn of MGM, also born in Poland; Carl Laemmle of Universal Pictures, born in Germany; Louie B. Meyer of MGM, born in Russia; Adolph Zukor of Paramount Pictures, born in Hungary; and William Fox of 20th Century Fox, also born in Hungary. Harry Cohn of Columbia Pictures was born in New York to German-Jewish parents.

Author/Critic Neal Gabler states: "All of these men who founded Hollywood were born within a 500-mile radius of one another -- and all of them wound up within 15 miles of one another in Los Angeles."

The film explains how, in the late 19th century, these men immigrated to the USA from Eastern Europe, where Jewish populations allegedly faced persecution at the hands of the Russian czar. No doubt exaggerating the extent of Jewish suffering, the narrator explains how, "without warning, death could come crashing down on the defenseless schtetls, reminding the Jews that, as a people, they were permanent outsiders -- vulnerable and powerless."

The future founders of Hollywood came to America with little money, "but they brought with them a new vision of America," the narrator states. "Hollywood was a dream, dreamt by Jews fleeing a nightmare."

In 1912, after a brief stint in New York (where, according to the film, the movie business was "monopolized" by bad-guy Thomas Edison), this small band of determined Jews set up shop in California, where they met with instant success. By 1920, they had established their own film studios and began producing hundreds of movies every year.

Interestingly, "Hollywoodism" -- while stating that the moguls first came to America "with little money and few belongings" -- does not explain how these monumental business ventures were initially financed.

[The 800lb. Gorilla poses this thought: perhaps the six studios, all set up simultaneously by Jews of "strikingly similar backgrounds," were all financed by the same source -- i.e., Rothschild -- from the very beginning. This certainly appears to have been their modus operandi in most other industries, where so-called "competitors" are actually controlled by the same forces from behind the scenes.]

By the 1920s and 1930s, "seventy-five percent of all Americans went to the movies at least once a week," the film explains, while movie houses had become "temples of the new Hollywood religion -- Jewish values made kitsch."

"Actors became the gods and goddesses of the new American religion. And where there are new gods there must be new idols, so the studio heads began a movie guild with the lofty title of the Academy of Motion Picture Arts and Sciences," the film explains. "It was Meyer's brilliant idea to create the Oscars, where the movie moguls could honor themselves by giving each other awards. In this way, they went from being a group of immigrant Jews to award-winning American producers."

The Jewish moguls, however, did more than just establish a superficial and self-serving Hollywood cult (which has never boasted more devotees than it does today). According to sources quoted in the documentary, they also used their new medium to create an American "mass culture" based on self-gratification and consumerism -- that which would later become known as the "American Dream."

"I'm not sure that there was an 'American Dream' before the Jews came to Hollywood and invented it," Author/Historian Aljean Harmetz states in the film. "What you had...was an idea of freedom, but you didn't have what we have today, which is a popular culture that creates dreams -- a dream factory."

[For more on the transformation of America into a gratification-based society through the medium of advertising -- also at the hands of a small clique of East European Jews -- see Adam Curtis' brilliant, four-part BBC documentary, "Century of the Self."]

Film Critic Gabler states: "They created their own America -- an America which is not the real America... But ultimately, this shadow America becomes so popular and so widely disseminated that its images and its values come to devour the real America."

"The grand irony of all Hollywood is that Americans come to define themselves by the shadow America that was created by Eastern European Jewish immigrants...," Gabler adds. "One could say that the American Dream was really founded in Eastern Europe."

"Hollywoodism: Jews, Movies and the American Dream" -- Download it HERE or http://tracker.umunu.com/download.php?i ... vi.torrent

http://800poundgorilla.100webspace.net/ ... 3042527297

[ehpg]

also please read Who runs Hollywood? C'mon ("Jews totally run Hollywood")
The Los Angeles Times
December 19, 2008

A poll finds more Americans disagree with the statement that 'Jews control Hollywood.' But here's one Jew who doesn't.

By Joel Stein

I have never been so upset by a poll in my life. Only 22 percent of Americans now believe "the movie and television industries are pretty much run by Jews," down from nearly 50 percent in 1964. The Anti-Defamation League, which released the poll results last month, sees in these numbers a victory against stereotyping.

Actually, it just shows how dumb America has gotten. Jews totally run Hollywood.

How deeply Jewish is Hollywood? When the studio chiefs took out a full-page ad in the Los Angeles Times a few weeks ago to demand that the Screen Actors Guild settle its contract, the open letter was signed by: News Corp. President Peter Chernin (Jewish), Paramount Pictures Chairman Brad Grey (Jewish), Walt Disney Co. Chief Executive Robert Iger (Jewish), Sony Pictures Chairman Michael Lynton (surprise, Dutch Jew), Warner Bros. Chairman Barry Meyer (Jewish), CBS Corp. Chief Executive Leslie Moonves (so Jewish his great uncle was the first prime minister of Israel), MGM Chairman Harry Sloan (Jewish) and NBC Universal Chief Executive Jeff Zucker (mega-Jewish). If either of the Weinstein brothers had signed, this group would have not only the power to shut down all film production but to form a minyan with enough Fiji water on hand to fill a mikvah. read more...

[ehpg]

ADL survey: Americans believe religious values are "under attack"; 59% say Hollywood "doesn't share their moral values"

StreetInsider.com
November 14, 2008

A majority of the American people believes that religious values are "under attack," and that the people who run the television networks and major movie studios do not share the religious and moral values of most Americans, according to a survey from the Anti-Defamation League (ADL) issued today.

"American Attitudes on Religion, Moral Values and Hollywood," a national poll of 1,000 American adults conducted in October 2008 by The Marttila Communications Group, found that 61 percent of the American people continue to believe that religious values in this country are "under attack." The poll also found that 59 percent of Americans agree that "the people who run the TV networks and the major movie studios do not share the religious and moral values of most Americans." read more...

[Ognir]

Thanks for the added info bro

[Free Truth]

Good place to post that info on the Hollywood doc. with that 25th discussion...

I saw 'Hollywoodism' a  couple weeks ago on IFC, actually... I was surprised how much they told of the ashkenazis' arrival to America--You just don't hear about that anywhere else mainstream like that. The doc. told of "jewish persecution" going on Europe...pogroms... Pogroms that were undoubtedly rich "jew" inspired, created and instigated!

Aside from that, the way that they admit the ashkenazi influence on what we consider the American way was a bit of a realization for me.

By the 1920s and 1930s, "seventy-five percent of all Americans went to the movies at least once a week," the film explains, while movie houses had become "temples of the new Hollywood religion -- Jewish values made kitsch."......One could say that the American Dream was really founded in Eastern Europe."

I mean, we know the impact they have today...but ever since day one (the first pictures)! All that one could go on (for identity) was their daily experiences throughout their life with the people in the cities they lived (and maybe read or hear stories of heritage).
But with their films they dictated (at least had a serious influence on) what people viewed themselves as, what the world viewed as the American way as...what values, beliefs, history should be and so much more.
= We're "jew-ish."

Their control over Hollywood and all information is what has us where we are today. Get back the control of information, and the world will soon be righted.

The documentary, at times, is telling:

The moguls -- virtually all of them Jewish -- included Harry Warner of Warner Bros., born in Poland; Samuel Goldwyn of MGM, also born in Poland; Carl Laemmle of Universal Pictures, born in Germany; Louie B. Meyer of MGM, born in Russia; Adolph Zukor of Paramount Pictures, born in Hungary; and William Fox of 20th Century Fox, also born in Hungary. Harry Cohn of Columbia Pictures was born in New York to German-Jewish parents.

Author/Critic Neal Gabler states: "All of these men who founded Hollywood were born within a 500-mile radius of one another -- and all of them wound up within 15 miles of one another in Los Angeles."

I'm thinking of drawing that 500 mile radius circle on a map with a heavy, dark red permanent marker.

[Ognir]

I must watch it tonight

[kolnidre]

That was a crackling good discussion, touching on all the points of control, the financial situation, and health, among others. You had me laughing out loud at times and yelling even louder (I was out running with few people around) at others.

One thing I want to ask you to refrain from without evidence to the contrary is references to Marty the soap guy as some kind of Zionist bad guy that gives further proof that AJ is a Zio-shill. Later in the very same discussion, Daryl talked about the small shopowners he grew up around who were Jews and probably went along with Zionism because they didn't know any better, yet without any evidence that Marty is a Zionist, a supporter of apartheid Israhell, or is disloyal in any way to his country (remember, he is a vet who served in WWII), you can somehow suggest that he's bad. That's falling into the same trap that Delany and WWIII News set for us.

Marty offers fine products at great prices and he's a funny old guy who clearly loves his job and his life. Why risk shitting in the punch bowl to make a weak point when there are so many other tangible things to say about AJ, like the recording you opened the show with?

As for David Duke, I've checked his stuff out, and as far as I can tell he hasn't asserted any sort of white supremacism in ages, if ever. Have you read his books? Jewish Supremacism, also available as an audio book, is phenomenal, and gives the impression that he's simply pro white because that's who he is, and he's proud of it; he just resents being called a "white supremacist" because of it. He also doesn't begrudge Jewish power's motivations, and flat out states he admires the way they stick up for their own (perceived) interests, and wishes people of other persuasions would do the same to counterbalance the over-representation of Jewish interests and power.

I can't believe I'm defending David Duke, because I was also subjected to all the propaganda about him being a supremacist and a hater, but I've checked out his work and I've found it valid and valuable.

If things continue the way they've been going, we'll have to join J.T. Gatto in using "Prussians" as a code word. In my family we have probably half a dozen of code words to designate the common enemy of humanity.